Selected Works
Compositions
- Wind Trio (performed by Gotlands Musiken, 2001)
- String Quartet (performed by Sonanza, 2001)
- Orchestral Work: The Golden Land (commissioned by Sundsvall Symphony Orchestra, 2003)
Albums
- Sara (1998)
- Nirjon Sakhkhor (October 2003)
- Apna Khayal (January 2003)
- Ajosro Kobita (2006)
- Jugolshondhi (2009)
- Odbhut Andhar Ek (2010)
- Keno Megher Chhaya (2012)
- Chader Sarobore (2013)
Zubayeer continues to contribute to Canada’s and the international cultural landscape through teaching, performance, and composition, bringing together diverse musical traditions and fostering innovative musical expression.
The “Wind Trio” performed by Gotlands Musiken in 2001 is a classical music ensemble that showcases the versatility of wind instruments. Gotlands Musiken is known for its commitment to fostering a vibrant musical life on the island of Gotland, Sweden, through a rich range of concerts and collaborations across various genres, including classical and jazz. gotlandsmusiken.se
The ensemble’s performance in 2001 featured compositions by Swedish composers, highlighting the rich musical heritage of the region. One notable piece performed was “The Myth of Vineta” by Cecilia Franke, a work for wind quintet that delves into the mythical narratives of the Baltic Sea. Other compositions included “Fragment” by Fredrik Hagstedt and “Offret” by Andreas Sjöö, both showcasing the dynamic range and expressive capabilities of wind instruments.
The String Quartet performed by the Sonanza Ensemble in 2001 is a notable example of contemporary Swedish chamber music. Sonanza is a Swedish ensemble focused on contemporary music, led by conductor Jan Risberg. The ensemble has been involved in performing and recording works by various composers, contributing to the development and appreciation of modern classical music.
While specific details about the 2001 performance are limited, Sonanza’s repertoire includes compositions by notable Swedish and international composers. Their performances often involve innovative interpretations and a commitment to exploring new musical languages, reflecting the dynamic nature of contemporary classical music.
The Golden Land is an orchestral work composed by Swani Zubayeer in 2003. Commissioned by the Sundsvall Symphony Orchestra, the piece explores the six seasons of Bangladesh and the transformation in nature, blending Eastern and Western musical traditions.
The composition reflects Zubayeer’s commitment to integrating cultural elements into classical music. While specific details about the structure and movements of the piece are limited, The Golden Land stands as a testament to Zubayeer’s innovative approach to orchestral composition.